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Manmadha in Tanjore Painting Style

  • Writer: Purple Chalk
    Purple Chalk
  • Jun 7
  • 3 min read

Tanjore painting is a classical South Indian art form known for its richness, vivid colours, and embellishments. Traditionally, these paintings depict Hindu gods and goddesses and are crafted on wooden panels with embossed artwork adorned with 22-carat gold foil and semi- precious stones. The grandeur and intricate detailing make Tanjore paintings a cherished heritage of Indian artistry.


What you see here is an extraordinary unique Tanjore painting created by my mother in the 1990s. This painting portrays Manmadha (Kamadeva), the Hindu god of love, seated on his celestial vehicle—a parrot. This painting is an adaptation from an old Maratha painting, which did not have any precious stones in its embellishments like other Tanjore paintings.

Perhaps the subject itself was so captivating that additional semi-precious stones seemed unnecessary.


A Unique Representation of Manmadha


Unlike conventional depictions, this painting presents a fascinating symbolism—the parrot itself is formed by four women, each playing a different musical instrument:

  • One with a drum

  • One with a tambura

  • One with a violin

  • One with cymbals

This artistic arrangement aligns with traditional Indian iconography where human forms are

used to symbolize different elements. Interestingly, the presence of a violin, which arrived in

India through European influence, helps date the original concept of this painting to the

British colonial period.


Symbolism of Rathi and the Four Women


The painting also subtly incorporates Rathi, Manmadha’s consort, and her feminine

virtues—Acham (fear), Madam (humility), Naanam (shyness), and Payirppu

(chastity)—represented through the four women forming the parrot. This portrayal reflects

the deeper philosophical and emotional aspects of love and desire.


The Iconography of Manmadha


Manmadha is depicted holding his signature weapons—a sugarcane bow and five floral

arrows, each associated with different emotions of love and desire. The five arrows, known

as Pushpabana, are:

  • Aravinda – White lotus flower

  • Ashoka – Ashoka tree flower

  • Choota – Mango blossom

  • Navamallika – Jasmine flower

  • Neelotpala – Blue lotus flower


These arrows symbolize the various emotional effects of love, from attraction to deep

yearning. Manmadha’s story, deeply rooted in Hindu mythology, recounts how he shot an

arrow at Lord Shiva, only to be reduced to ashes in Shiva’s fury. However, due to Rathi’s

heartfelt plea, Shiva granted that Manmadha would exist only in an invisible form,

signifying the unseen but powerful influence of love.


Manmadha as a Warrior


In this painting, Manmadha is portrayed as a warrior, an unusual yet powerful depiction.

He is shown with a dark green complexion, a colour often associated with fertility and

beauty in Indian aesthetics. His attire reflects the 18th-century fashion, perhaps people of

India, especially the princely class used to wear such clothes.


A Connection to Ancient Texts and Symbolism


The artistic technique of forming figures using human representations has roots in ancient

Indian texts. The Saraswati Mahal Library in Thanjavur, which flourished under King

Serfoji II, houses manuscripts like:


  • Gaja Śāstram – Elephants depicted in the form of women

  • Pakshi Śāstram – Birds represented as women

  • Ashwa Śāstram – Horses formed by human figures


This suggests that the concept of a parrot formed by four women in this painting may be

inspired by Pakshi Sastram found in these ancient treatises.


This Tanjore painting of Manmadha is now a cherished piece in my niece's lovely home in Los Angeles. It beautifully blends mythology, symbolism, and history, showcasing the

timeless story of love—its strength, struggles, and lasting presence in our lives.


Megalai Senthilkumar

Managing Director

LBN Tech Solutions Pvt Ltd

 
 
 

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